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korg microkorg manualUsers are permitted to create one (1) copy for their personal non-commercial use. The Company assumes that this material is utilized by the End User. Please be aware that the Company may not be able to respond to inquiries regarding owner’s manuals made public in this library from anyone other than customers who have purchased the products. Owner’s manuals or product information may not be available for all products indefinitely or at all, and may be permanently discontinued at the Company’s discretion. Additionally, owner’s manuals may be updated to reflect these and other changes with updated production of the product. For the latest contact information, please refer to the Korg.com website. Because these cautions were based on the laws and societal understandings at the time when each manual was produced, they might not be appropriate for the present time. It is advised that End User review and strictly adhere to these Cautions. Download free Adobe Reader here. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you. Powerful synthesis The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg’s critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg’s classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.http://decorinter.ru/img/uploaded/fostex-multitracker-160-manual.xml
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Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Classic vocoding The microKORG includes an 8-band vocoder with many advanced features. You can capture and “freeze” the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky. Best of all, the microKORG comes with its own microphone so you can start having fun right away. All effects can be edited to create your own, unique sounds. Great sounds and expression Korg has used all of the microKorg’s synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favorites. Sixteen vocoder Programs are also included. The Pitch Bend wheel, Modulation wheel and five other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The Edit Mode allows you to fully edit the existing sounds, or to create your own new ones. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer. Audio in Two external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG’s filter and effects, allowing you to process sounds in truly creative ways. A compact MIDI controller The microKORG’s compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It’s also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers.http://www.audiohindi.com/dayafter/uploadimages/newsimages/how-to-change-a-manual-wing-mirror-on-a-ford-focus.xml Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that’s both vintage and funky. Specifications subject to change without notice MICRO KORG Download and print this document Read and prints without ads Download to keep your version Edit, email or read offline Download. Trademarks and Copyrights are property of their respective owners. Login Registration is disabled. We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it. Ok. Owner's Manual Precautions. Location. Using the unit in the following locations can result in a Power supply. Please connect the designated AC adapter to an AC outlet of Interference with other electrical devices. Radios and televisions placed nearby may experience Operate this unit at a suitable distance Handling. To avoid breakage, do not apply excessive force to the Care. If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such as benzene or thinner, or Keep this manual. After reading this manual, please keep it for later reference. Keeping foreign matter out of your equipment. Never set any container with liquid in it near this equipment. If Be careful not to let metal objects get into the equipment. If Then contact your nearest Korg THE FCC REGULATION WARNING (for U.S.A.). This equipment has been tested and found to comply with the FCC Rules. These limits are designed to provide reasonable However, there is no Unauthorized changes or modification to this system can void Data handling. CE mark for European Harmonized Standards.http://schlammatlas.de/en/node/25641 CE mark which is attached to our company's products of AC And, CE mark which is attached after January 1, 1997 means Unexpected malfunctions can result in the loss of memory Korg cannot accept any responsibility Printing conventions in this manual. Knobs and keys printed in BOLD TYPE. Knobs and keys on the panel of the microKORG are printed in MIDI-related explanations. In MIDI-related explanations, numbers enclosed in square. Display indications. The numerical values of various parameters appearing in this They may not Knob positions and parameters. Knob positions and parameter values appearing in this manual There may be slight Company names, product names, and names of formats etc. Ill Table of Contents. Precautions iii. Data handling iii. Printing conventions in this manual iii. Introduction 1. Explains the features of the microKORG, and the names and functions of each Main Features 1. Front and rear panel 2. Front panel 2. Rear panel 4. Preparations 5 Connections 5. Connections from the audio outputs 5. Connections to the audio inputs 5. Connecting the included mic 5. Turning the power on 6 Quick Start 7. Explains how to get started using the microKORG (listen to the demos, select Dem o songs 7. Listening to the demo songs 7. Synth programs 8 Vocoder programs 10 Arpeggiator 11. Using the arpeggiator 11. Editing 12. Explains what you need to know when editing sounds on the microKORG. Basic editing 12. Basic editing procedure 12. Editing each timbre 14. Editing a synth program The structure of a synth program 15. Overview 15 Explains the function of the vocoder program parameters adjusted by edit control. The structure of a vocoder program 31. Overview 31 Explains the function of the effect and EQ parameters adjusted by edit control. The microKORG's effect structure 39. Overview 39. Editing the arpeggiator 43. Explains the function of the arpeggiator parameters adjusted by edit control knobs. The structure of arpeggiator 43. Overview 43. Overall settings (GLOBAL) 46. Explains the function of the Global parameters adjusted by edit control knobs 1-5. GLOBAL structure 46. Overview 46 Using the microKORG with other MIDI devices (MIDI). 48. Explains how to make connections with other MIDI devices, and explains the MIDI on the microKORG 48. Overview 48. MIDI-related settings after connection 49 Saving Data 58. Explains how to save a program or Global settings that you edited. Saving your edited settings 58. Saving a program 58. Saving GLOBAL, MIDI, and SHIFT function settings 58. SHI FT functions 59. Explains functions that use the SHIFT key, such as initializing a program and Copying and exchanging timbres— SYNTH 59. Initializing a program 59. Initializing CH LEVEL and CH PAN - VOCODER 60. MIDI Filter 60. Assigning control changes 61. Data dump 62. Restoring the factory settings 63. Write protect setting 63. Other SHIFT key functions 64. Appendix 65. Provides a troubleshooting checklist, and other information such as the specifica- Troubleshooting 66. Specifications and options 67. Index 68 Main Features The analog modeling system of the microKORG uses DSP technology to Starting with a variety of different oscillator All sound parameters are organized You can also modify the Number of timbres: maximum 2 (when layer is used). Maximum polyphony: 4 voices Audio In (eight types). PWM function, OSC Sync function, Ring Mod.Filter EQ, Amp EG, LFOl, LF02 (LFO: six waveforms, can be You can connect a mic to one of the microKORG's AUDIO IN 1 jacks, and use it as The vocoder consists of eight channels (sixteen filters used in pairs). In addition to Maximum polyphony: 4 voices. Filter EG, Amp EG, LFOl, LF02 (LFO: six waveforms, can be The microKORG contains 128 built-in programs. When shipped, the TRANCE- The waveform of an external audio source can be input via the AUDIO IN 1 and This gives you even more creative For even greater possibilities, the microKORG provides three types of modula- The delay effect can be synchronized with the arpeggiator or an external MIDI The microKORG's arpeggiator lets you produce an arpeggio simply by holding You can choose from six arpeggio types, and adjust the duration and spacing of You can also specify whether a note will be on or off for Front and rear panel. Front panel VOLUME knob. Adjusts the volume of the output. R) and headphone jack. BANK SELECT dial. Selects the program bank. CLOCK is set to External and MIDI. Clock data is being received from OCTAVE SHIFT UP, DOWN keys. Shifts the pitch range of the PITCH wheel. Controls the pitch. MOD wheel. Controls the depth of modulation. BANK SIDE key. Switches between the two sides of each program bank. This indicator will blink when the microKORG receives These will light if a signal is being input to the. AUDIO IN jacks. They will light red if an Display. Indicates the current program number, WRITE key. Saves an edited program or global. SHIFT key. By holding down this key and pressing Also, while this key is lit, it will Select program numbers (the LED of You can also use these keys to turn each In addition, you can hold down the. SHIFT key and press one of these keys Front and rear panel If a Vocoder program is selected, this key If a timbre is being If a Vocoder program is selected, the 1 LED EDIT SELECT 1 dial. EDIT SELECT 2 dial. These dials select the section to edit. LEDs are lit, the Performance Edit function If only one LED is lit, the EDIT SELECT If the object of Edit.) These knobs edit the Performance Edit Vocoder parameters. These are the parameters These are the parameters Front and rear panel. Rear panel A Vocoder program uses this input signal as the A Vocoder program can use an audio signal from a mic etc.VOLUME 2 knob. Adjusts the input level LINE jack. Connect a synthesizer If a mic is connected to the DYNAMIC VOLUME 1 knob. Adjusts the input level from the. DYNAMIC or CONDENSER jack. CONDENSER jack. Connect a condenser mic to this jack. DYNAMIC jack. Connect a dynamic mic, synthesizer, or If both the DYNAMIC jack and the. CONDENSER jack are connected, the Connect these to your powered If you want to use the microKORG HEADPHONES jacks. Connect a pair of AC adaptor jack. Connect the included AC adaptor to MIDI THRU connector MIDI OUT connector. This connector Mic holder. You can attach the included. Received MIDI data is MIDI IN connector. This connector receives. MIDI data. Preparations. Connections. The diagram below shows basic connections for the microKORG. Make substitu- AC adapter (included). MIDI keyboard, tone generator module, rhythm machl Connections from the audio outputs In order to take full advantage of the potential of the microKORG, we recommend Connections to the audio inputs. If you want to use the microKORG as a vocoder, connect a mic or other audio If you want to process the waveform of a synthesizer or sampler, connect a mic or. The keyboard, and controllers etc.Conversely, another MIDI keyboard or sequencer can. Connecting the included mic. A mic for use with the vocoder is included with the microKORG. Here's how to J2 Do not apply excessive force to the neck of the mic, or repeatedly bend it back Doing so may cause malfunctions such as Do not use excessive force. J2 When removing the included mic, grasp it by the base and pull it out. AUDIO IN 1 CONDENSER jack. Turning the power on Before you connect the power supply, make sure that the power switch is turned off Connecting the AC adaptor. Firmly insert the plug of the included AC adaptor into the jack. Then connect the. AC adaptor to an AC outlet. The microKORG can also be operated on batteries. You will need to purchase them Then open the battery cover located on the bottom of the case. If you continue using the microKORG, the Protect setting The display will indicate the program number. After saving any necessary data (such as a program you have edited) turn the Quick Start. Demo songs. Listening to the demo songs. The microKORG contains several demo songs. Here's how to listen to the demo songs and hear the sounds of the microKORG. The demo will begin playing. The SHIFT, OCTAVE SHIFT D OWN UP, and. PROGRAM NUMBER key LEDs will light. DOWN key. You can also use the PROGRAM NUMBER 1 -8 keys to select a demo song. The SHIFT, OCTAVE SHIFT DOWNand UP key will go dark, and the The microKORG contains 128 programs that you can select and play immediately. Programs are arranged in Banks.GRAM SELECT knob and PROGRAM NUMBER keys. As an example, here's how. The BANK SIDE key will light when side B is selected, and will be dark when Number. On the microKORG, you can modify the sound to add expression to your perfor- Try out various ways to modify the selected program. Using the Performance Edit function to modify the sound. Edit function is active. In this state, the edit control knobs 1 -5 are automatically Turn these knobs to control the SELECT 2 knob to select a different section, or if you hold down the SHIFT key To enable the Performance Edit function, press When Performance Edit is active, you can edit the sound in the following ways. Knob 1: CUTOFF. Adjusts the cutoff frequency of the filter. This will affect the brightness of the Program Bank LED. Program Number PROGRAM NUMBER keys 1-8. Synth programs. In the case of a LPF (Low Pass Filter) Cutoff. Level Knob 2: RESONANCE. Adjusts the resonance of the Knob 3: EG ATTACK. Adjusts the attack time of the filter EG and amp EG. This will affect the amount of Normally, turning the knob toward the left will shorten the attack time, and turning Adjusts the release time of the filter EG and amp EG. This will affect the amount of Turning this knob will adjust the EG. Normally, turning the knob Attack Level Knob 5: TEMPO. Turning the knob toward the left will slow down the tempo, and turning it toward The ARPEGGIATOR TEMPO LED will blink at SB If you have selected a Layer program that uses two timbres (one of the TIMBRE. SELECT LEDs is lit), you can choose which timbre will be affected by your. SI In the EDIT mode, the parameters that are assigned to each knob are also be edited SELECT 2 knobs. For details on each function, refer to p.24 for CUTOFF and. RESONANCE, p.26 and 28 for EG ATTACK and EG RELEASE, or p.44 for TEMPO. SB A sound modified modify using Performance Edit can be written into memory. Using the PITCH and MOD wheels for control. PITCH wheel. The effect will be applied when you move the wheel away from Normally this wheel is used as the pitch bender, so that the MOD wheel. The effect will be applied when you move the wheel away from yourself, and will S3 Since the PITCH and MODwheels can be used as virtual patch sources, you. Using the OCTAVE SHIFT UP and DOWN keys for control. You can use these keys to shift the Key operation Press. DOWN key T Key LED Key operation Using the keyboard for control. Keyboard Tracking. Keyboard tracking uses the position of the note on the keyboard to affect the sound. Normally, this is used to brighten the sound as you play upward, or to create Velocity. The strength with which you play the keyboard can affect the sound. Normally, your playing strength will affect the tone and volume. Sfl Since velocity and keyboard tracking can be used as a virtual patch source, you Vocoder programs Here's how to connect the included mic and play a vocoder program. Alternatively, you can create a variety of interesting effects by inputting audio VOLUME 1 knob to the MIN position, and Using the procedure described on page 8. With the factory settings, the VOCODER bank contains vocoder programs. Try pronouncing different words and changing the chords you play, and listen HOLD key. This allows you to continue to play the current vocoder sound, even This tone will be remembered when you Write the SI Several of the VOCODER bank programs will sound even if you simply play In the same way as for a synth program, you can modify the sound of a vocoder As described on the preceding The following Performance Edit operations work differently than for a synth Knob 1: CUTOFF, Knob 2: RESONANCE. These control the carrier by adjusting the band pass filter cutoff frequency of the Knob 3: EG ATTACK, Knob 4: EG RELEASE. Only the amp EG can be controlled. Also, a vocoder program does not allow you to switch timbres. Using the arpeggiator. The arpeggiator is a function that automatically arpeggiates the notes of a chord The microKORG's arpeggiator When you play the chord shown above on the keyboard, You can use the arpeggiator with either a synth program or a vocoder program, Hold down a chord on the keyboard, and the arpeggiator will run. Modifying the arpeggio For example if you selected ARPEG A in step 4, the parameters shown in the Turning knob Turning knob 4 will switch the arpeggio Using the step arpeggiator to vary the arpeggio The Step Arpeggiator function lets you switch M To change the number of valid steps in the arpeggio, set the EDIT SELECT 2 Editing. Basic editing. Basic editing procedure. Each section contains The first column The text to the left side indicates the The text to the right side (in green) indicates On the microKORG there are two basic ways for you to create a sound. Broadly speaking, the procedure is as follows. Consider how the current program differs from the sound you have in mind, If you are creating the sound from scratch, note that the. EDIT SELECT 1 and EDIT SELECT 2 knobs access SH By holding down the SHIFT key and pressing the BANK. SIDE key, you can switch between EDIT SELECT 1 and. EDIT SELECT 2 as the section to edit. Turn edit control knob 1, 2, 3, 4, or 5 to edit the assigned parameters. For example if you are editing a synth program and set the EDIT SELECT 1 Turning knob 2 will change the cutoff frequency value, affecting the tone. Turning knob 3 will change the resonance value, adding a distinctive character If you want to make precise adjustments to a value, hold down the SHIFT key To cancel this function, press the lit SHIFT key. If you press the UP and DOWN keys simultaneously, that parameter will return Repeat steps 2-4 as necessary to create the desired sound. Q If the parameter value does not change when you turn knobs 1-5. When you use EDIT SELECT 1 or EDIT SELECT 2 to select a section and turn This occurs when there is a discrepancy between the actual value of the If the actual value is significantly different from the To prevent this from happening, the knob and parameter will begin changing in For example, suppose that you turn knob 1 to edit a parameter, Then you use the EDIT SELECT 1 knob to switch to a different When the knob reaches the position of the actual value, the knob The edit control ORIGINAL VALUE LED will light to indicate the parameter If you want to return parameters to their original values, turn knobs 1-5 so that If you select another program or re-select the same program while you are Write them if you want to keep your changes. This indicates the position of FILTER section is selected. These are the edit control knobs This area lists the parameters Explanations of each parameter This is the name of the section. When you have set the EDIT. SELECT 1 or 2 knob to the. FILTER position and would like This section applies to A summary of this section Editing each timbre. Synth programs can have up to two timbres. A timbre consists of the parameters of EDIT SELECT 1 VOICE (except for Using both timbres (Layer). O Set the EDIT SELECT 1 knob to VOICE, and turn knob 2 to select. LAYER (Lfly). Selecting the timbre to edit. If you are editing a program that uses both timbres, here's how to select the timbre Press the EDIT SELECT TIMBRE SELECT key to select the timbre that you Your editing will affect the selected timbre. You can also edit both timbres simultaneously (Edit Sync). Both TIMBRE SELECT LEDs will light, and editing will be synchronized for the Edit sync will be cancelled, and timbre 1 will be the object of SI You can use the Solo function even while editing is Listening to only one timbre (Solo). For a program that uses both timbres, you can use the Solo function to hear just one The TIMBRE SELECT LED for the timbre selected for editing will start blinking, The TIMBRE SELECT LED for the other timbre will start blinking, and only that Exchanging and copying the settings of the timbres You can exchange the settings of the two timbres, or copy the timbre settings from Overview. The three attributes of sound: pitch, tone, and volume. Sound has three basic attributes; pitch, tone, and volume. To control these attributes, the microKORG analog modeling synthesizer provides The PITCH section specifies the pitch of the waveform that is the basis of the The microKORG's FILTER section modifies the tone. Then the AMP section These three sections determine the basic sound of the program. EG, LFO, keyboard tracking, virtual patch, controllers. In addition to the sections described above, the microKORG provides ways in These are controlled by modulators and controllers such Virtual Patch, and the PITCH and MOD wheels. You can use these modulators and Figure 0-1 (at right) shows the structure of a synthesizer sound on the microKORG. The structure of a synth program Each timbre consists of OSC, FILTER, AMP, EG, LFO, and Virtual Patch blocks. You For the delay, you can choose from three types of delay such as stereo delay. The EQ If the program uses two timbres, you can This is a step arpeggiator with six Figure 0-1 If you want this to be a synth M If you simultaneously press more keys than the specified number of voices, the last-pressed key will take priority. Lfly Switches the currently selected pro- Synthesizer gyfc). The program will be a synth pro- The program will be a vocoder pro- S The parameters for editing will Synthesizer or Vocoder is se- Specifies how many timbres the Single (5CL). Only one timbre will be used. Figure 1-1. Timbrel. Layer (LRb'). Two timbres will be used. When You can edit each timbre individually. Figure 1-2. Timbro2. Timbrel The maximum polyphony is four Mono (n n). The timbre will sound monophoni- Poly (PL y). The program will sound polyphoni- The maximum polyphony is four Unison ( un,). All four voices will sound in uni- Timbre 1. Timbre 2 Poly. Polyphony Poly. Polyphony Mono. Polyphony Specifies whether the EG and LFO Single (5CL). The EG and LFO will not be Multi (nLfc). The EG and LFO will be retriggered Figure 1-3. Single. Trigger T. Specifies the amount of detuning The detuning method will depend Figure 1-4 I Unison. I Detune The range is two octaves upward or M Changes made by the front These settings are shared by oscillators 1 and 2. In this section you Adjusts the pitch of the oscillator in Specifies the speed of the With a setting of 0, there will be no This value specifies the amount of Specifies the depth of vibrato that MOD (modulation) wheel all the H The LF02 modulates the pitch of DWGS, Noise. Selects the waveform for oscillator 1. This is a sawtooth wave. This wave- You can use this to create numer- This is a square wave. It has a rectan- A square wave is used for woodwind The oscillator generates the waveform that is the basis of the sound. The timbre has two oscillators. Adjusts a parameter specific to the CONTROL 1 has no effect if. Adjusting this value will modify the A setting of will produce a con- Adjusts the pulse width. A setting LFOl is used to apply modulation For example by setting LFOl LFOl is used to apply PWM (pulse Figure 3-1. Figure 3-2. Pulse Width Modulation refers to the LF02, Filter EG, or Amp EG. Sine Wave (5 lfl ): 'X. This is a sine wave. This waveform Cross modulation by a sine wave Vox Wave (JJo3. This simulates a waveform similar Even if the Select HPF or BPF as the filter, and A setting of will produce a triangle On a synth program, this adjusts the On a vocoder program, this modi- Adjusting this value will modify the. LFOl is used to apply wave form LFOl. On a synth program, this adjusts the On a vocoder program, this adjusts LFOl to the waveform that you se-. LFOl is used to apply modulation Figure 3-4. Figure 3-5 You can produce an even wider vari- You can also achieve interesting re- This is waveform data created by Choose this when you want to cre- Noise (noS). This generates white noise. Within This can also be Figure 3-6. Resonance. Noise. Genarator. LPF ti. Cutoff. Selects the DWGS waveform. This controls the resonance of the Table 3-1. DWGS List. No. Name. Name The waveform of the audio signal This lets you apply filtering to a AUDIO IN 1 or 2 jacks. Consulta nuestra Politica de privacidad y nuestras Condiciones de uso para mas informacion.Ademas, se aplicaran las condiciones generales de uso y la politica de privacidad de Scribd. Si quieres darte de baja, cierra tu cuenta de SlideShare. Mas informacion Puedes cambiar tus preferencias de publicidad en cualquier momento. A.- Salvo prueba en contrario, un bien es conformeB.- En caso de falta de conformidad del bien con elSi la reparacion o sustitucion no son posibles o sonEl consumidor no podra exigir la sustitucion cuan-La reparacion y, en su caso la sustitucion suspenden elDurante los seis primeros meses posteriores a la en-En los bienes de segunda mano, el vendedor y el con-Cuando al consumidor le resulte imposible o le resulteLa renuncia previa de los derechos que la ley reconoceSon vendedores a efectos de esta ley las personas fisicasDe esta forma, podremos disponer de la informacion necesaria en caso de existir algun tipo de reclamacion. En caso de no disponer de conexion a internet, puede realizar el registro de garantia rellenado el siguienteLetusa S.A. Apdo. 225MadridPrecauciones.7. Convenciones usadas en los Manuales.8Conexiones.10. Seleccion de Programas.11. Seleccion de Programas mediante. Categoria.11. Seleccion de Combinaciones.12. Uso de Controladores para modificar elArpegiador.13. Interpretacion con la funcion Drum TrackReproduccion de cancion deReproduccion de lista de Reproduccion.15. Reproduccion RPPR.15. Introduccion a M50.16. Panel Frontal y Posterior.20. Panel Frontal.20Joystick.20Conmutador REALTIME CONTROL.20Contrast.21Dial VALUE.21. Teclado numerico 0-9.21Tap Tempo.22. Panel Posterior.23Auriculares.23Conector DAMPER.23. Conector ASSIGNABLE SWITCH.23. Conector ASSIGNABLE PEDAL.23Funcionamiento de la Pantalla.24. Seleccion de objetos en la pantalla.24Barra de Desplazamiento.25Cuadro de dialogo.25Funcionamiento Basico.27. Descripcion de los Modos.27. Modo de Programa.27. Modo de Combinacion.28. Modo de SECUENCIADOR.28. Modo Global.28.